PalaisPopulaire in Berlin presents Make a Travel Deep of Your Inside, and Don’t Forget Me to Take, the first institutional solo exhibition by Chinese-Singaporean artist Charmaine Poh (b. 1990), Deutsche Bank’s “Artist of the Year” 2025.
Central America has entered a new era and reached a point of no return
Q & A with Head Curator. José Manuel Noceda.
The tenth edition of the Cuenca International
Biennial –slated from Oct. 22 to Dec. 4 this year– will this time around have an expert from another country as the event’s head curator.
Watching the youngsters still seeing Casa de las Americas as a space of recognition and promotion for their fledgling careers is a satisfaction for those who started out that project and cultural center some fifty years ago. The fact of the matter…
The Ninth Video & Media Art Biennial, Chile 2009, is far more than a collection of a hundred pieces –situated halfway between art and technology, with an Internet accent and a touch of interactivity and Latin America– displayed between August and
Cuba’s visual arts are going through an interesting moment as far as publishing matters are concerned.
Though an individual exhibit not always puts the artist’s work in the limelight of enthusiast and plentiful publicity –due to the artworks’ conception– and he or she doesn’t even get the kind of media hype he or she expected, the overall insertion of
In Memoria Ritual (Ritual Me-mory), Cuban fine artist Angel Alfaro Echevarria sets out a historic and imaginary voyage in an effort to offer an artistic vision of the Yoruba world.
In my third time around for The Archivist section, I want on the one hand to piece together some sort of a trilogy of a number of artists who are likened to the advance of the fine arts in the Caribbean and Central America, while on the other hand I…
Sebastian Alonso / Martin Craciun (Alonso+craciun). Afiches: Santiago Velazco y Javier Cirioni.
Montevideo is recognized as a
city where posters, billboards and paintings in public places are key players of the burg’s visual repertoire.
Art by Excelencias puts its sight on the fine arts to address, in an updated fashion, the ongoing developments and their influence in the Americas and the Caribbean, such as the Central American Isthmus Biennial, the La Joven Estampa Engraving Prize…
Claudio Antonio Gomes was born in Belo Horizontes, Brazil, in 1972 and has lived in Salvador de Bahia over the past thirteen years.
Antonio Martorell is a regular Havana visitor, a city where he admits to have found new confidences and drives for his life and artistic career.
Venturing into the brain-racking task of mapping out and defining the connections in the diversity of identities and cultures lodged in the Latin American and Caribbean region might seem to be a somewhat worthless, yet necessary effort based on th
