PalaisPopulaire in Berlin presents Make a Travel Deep of Your Inside, and Don’t Forget Me to Take, the first institutional solo exhibition by Chinese-Singaporean artist Charmaine Poh (b. 1990), Deutsche Bank’s “Artist of the Year” 2025.
We’re giving our readers the second issue of our Art by Excelencias magazine. Based on the first issue’s magnificent acclaim among artists, critics and researchers in the realm of the fine arts, the Excelencias Group has made the decision to add…
It’s understood that Rene Francisco interprets in many ways, as if his doing allowed him to cover with just one stroke several meanings of such an expansive verb.
For Matilde Perez (Chile, 1920), you get there in art only if you know how to “get” there in life. Ninety years of life and active career speak volumes of the veracity and conviction of her statement.
What does Doris Salcedo evoke when she orders to choose the floor of the Hall of Turbines with a 547-foot-long crack?
It’s becoming increasingly necessary to make an analysis of the research studies channeled by the Havana Biennial in an effort to move beyond the curatorial field that apparently zeroes in on the work of art.
Sometimes I’ve said on television that in the face of the music video’s drive into ethno-esthetic profiles and the social-cultural expressions of certain individuals and groups, we should take on the notion of the anthropological video.
Will Duchamp’s lesson never end? It always sneaks in through an unexpected place –a window, for example– when nobody expects it, just another twist on that virtually endless inspiration for art over the last hundred years.
Scenes within scenes. A theater entertained by the deliriousness of the boxes inside the frame
Claudio Antonio Gomes was born in Belo Horizontes, Brazil, in 1972 and has lived in Salvador de Bahia over the past thirteen years.
Antonio Martorell is a regular Havana visitor, a city where he admits to have found new confidences and drives for his life and artistic career.
Venturing into the brain-racking task of mapping out and defining the connections in the diversity of identities and cultures lodged in the Latin American and Caribbean region might seem to be a somewhat worthless, yet necessary effort based on th
I remember that a few years ago information on Central America’s artistic scene was scarce and misleading. On nations like Nicaragua, it used to be far more disappointing. No wonder one of the exhibits that tried to scour certain zones of the…
The fact that America is a young people is borne out, first of all, by the very history of the United States. The arch of sense that would fundamentally span from the 2000 to the 2008 presidential elections speaks plentiful volumes about the youth…
